A brief commercial message: I've uploaded a new free read at Smashwords, "The Other Side of the Page." It's a collection of my 'job interviews' with Randy and Sarah, plus a look at what they say about me when I'm not around. It's just for fun, and I hope you'll download it. And don't forget—the coupon for "A Summer's Eve" will expire on the 16th. Download it now while it's a free read. Coupon Code BL83R. Click on the 'story' tab above for the links.
Now, back to our regularly scheduled blog post:One challenge I faced when I wrote my first novel was how to deal with time. The plot required that my hero and heroine be separated, which meant that time moved forward for each of them. Thus, a scene with Sarah might start in the morning and carry her through to lunchtime. Meanwhile, of course, Randy's story didn't stop. When I shifted point of view from Sarah to Randy, it was important to let the readers know when they were.
Sometimes it was possible to start the new scene with a quick "catch up" transition, if , as in the above example, I was going to pick up with Randy at lunchtime. But what if something important was going on with Randy at the same time readers were busy with Sarah? Then it would either be a flash back (yawn—not recommended) or I'd have to jump back in time.
Time became fluid. We'd move forward, then back up, then catch up once again as the POV characters switched. . For the last chapters of the book, where Sarah was missing and Randy was trying to find her, I actually wrote their scenes separately, then dovetailed them so the reader didn't have to go too far forward before backing up and starting time over again. But I was always writing chronologically.


