Fun With Rhetoric

What I'm reading: Surrender at Dawn, by Laura Griffen (Nook)

Many of us (not saying me, mind you) remember those grammar and rhetorical device lessons from our English classes. You know, things like analogies, metaphors, similes, and the like. Well, today, as my last "writing-related" post of 2011, I thought I'd share a fun one: paraprosdokian. Everyone could use a smile or two.

Disclaimer: Hubster sent this via email, and I don't have sources for the examples.

A paraprosdokian sentence consists of two parts where the first is a figure of speech and the second an intriguing variation of the first. They're used typically for humorous or dramatic effect.

- Never argue with an idiot. He'll drag you down to his level and beat you with experience.

- Going to church doesn't make you a Christian any more than standing in a garage makes you a car.

- The last thing I want to do is hurt you. But it's still on the list

Emerald City Part 1

Thanks to Gerrie for yesterday's post. Writing seems to be something inside us, and we're going to do it no matter what.

After wrapping up notes from the Writers' Police Academy, it's time to plunge into recapping workshops from the Emerald City Conference. The first workshop I attended was about writing emotionally gripping scenes, given by Margie Lawson.

First, it's important to understand that we, as human beings, have involuntary responses to certain situations and stimuli. These are visceral responses, things we really can't control. In high-emotion situations, our hearts beat faster, mouths get dry, hands sweat, etc. These responses are tied to the body, not our conscious thought-processes.

When writing, especially in scenes with emotional impact, we should draw on these responses and make the reader feel them as well. We've all heard, "show, don't tell" and we probably know better than to say, "She was scared." Instead, we might say, "Her stomach clenched with fear." But is that enough?