The winner of Phoebe Conn's download is ... KAREN.
Karen, email Phoebe at phoebeconn (at) earthlink (dot) net so she can get your download to you.
And for those who came to the Romance Studio Release Party: My winners of downloads of WHEN DANGER CALLS are: Alyna, Cathy, Jean, Stacie, Lisa and Darcy.
Happy reading everyone!
Showing posts with label Phoebe Conn. Show all posts
Showing posts with label Phoebe Conn. Show all posts
Saturday, June 11, 2011
Tuesday, June 07, 2011
Why I Love Brainstorming
Today my guest is author Phoebe Conn. She began her writing career with Kensington in the 1980s, when historical romances were hugely popular, twice as long as they are now, and half the price! She also wrote several contemporary books with them, and futuristic books as Phoebe Conn and as Cinnamon Burke for Leisure. Phoebe is also having a giveaway to one commenter, so make sure you read through the post.
Thank you so much, Terry, for inviting me to blog.
Whenever I say I’m a writer, I’m always asked where I get my ideas. Each book has it’s own story of how it came to be, but my June Samhain romantic suspense release, WHERE DREAMS BEGIN started with a brainstorming session with a poet. On weekends, we’d often leave Los Angeles and drive up to Santa Barbara or Ojai. Resort towns are wonderful places to sit in an outdoor cafe, relax and observe people walking by. The poet looked for intriguing characters for his poems, while I made notes of people’s quirks for possible use in my books. A waitress whose ponytail sprouted from the top of her head like a volcano, for example, appears in PARADISE, a book set in Ojai. A waiter who mumbled became a pirate whose orders were unintelligible in my futuristic romance, LADY ROGUE.
We’d also spend time generating plot ideas. The park-like setting of the University of California at Riverside is perfect for brainstorming. One afternoon, we made notes for a story beginning with the protagonist at a crossroads. She’s a young widow and can’t go back to the life she loved, but what if any choice she makes creates more trouble than she’s already in? These were such fun sessions because brainstorming has only one rule: don’t evaluate ideas, simply let them flow.
Every book needs an opening that makes an emotional connection with the reader and swiftly draws them into the story. It needs tension that builds with every word to a dramatic and satisfying finish. We brainstormed dynamite openings some days. Other days, we’d work on developing one of our openings to a full story. In one possible book, we had the hero escape the men after him in a diaper service van. It was a great scene, even if it was never used. Now few people use a diaper service, so the scene wouldn’t be as easily believed.
Thank you so much, Terry, for inviting me to blog.
Whenever I say I’m a writer, I’m always asked where I get my ideas. Each book has it’s own story of how it came to be, but my June Samhain romantic suspense release, WHERE DREAMS BEGIN started with a brainstorming session with a poet. On weekends, we’d often leave Los Angeles and drive up to Santa Barbara or Ojai. Resort towns are wonderful places to sit in an outdoor cafe, relax and observe people walking by. The poet looked for intriguing characters for his poems, while I made notes of people’s quirks for possible use in my books. A waitress whose ponytail sprouted from the top of her head like a volcano, for example, appears in PARADISE, a book set in Ojai. A waiter who mumbled became a pirate whose orders were unintelligible in my futuristic romance, LADY ROGUE.
We’d also spend time generating plot ideas. The park-like setting of the University of California at Riverside is perfect for brainstorming. One afternoon, we made notes for a story beginning with the protagonist at a crossroads. She’s a young widow and can’t go back to the life she loved, but what if any choice she makes creates more trouble than she’s already in? These were such fun sessions because brainstorming has only one rule: don’t evaluate ideas, simply let them flow.
Every book needs an opening that makes an emotional connection with the reader and swiftly draws them into the story. It needs tension that builds with every word to a dramatic and satisfying finish. We brainstormed dynamite openings some days. Other days, we’d work on developing one of our openings to a full story. In one possible book, we had the hero escape the men after him in a diaper service van. It was a great scene, even if it was never used. Now few people use a diaper service, so the scene wouldn’t be as easily believed.
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